Anna-Elena
Pääkkölä
Art History, Musicology and Media Studies
PhD
Contact
Links
Areas of expertise
Musicology
cultural musicology
feminist musicology
queer musicology
gender studies
queer studies
music and technology
research-creation
music and media
music videos
film music and sounds
popular music
classical music
Finnish popular music
Biography
I work as a fixed-term university teacher in the department of Musicology from 2017 till 2019 (July). I defended my thesis in 2017. I have worked as a post doc researcher, funded by the Finnish Cultural Foundation, in 2017.
My earlier work history includes a position as substitute music teacher at Kuhmo comprehensive school, working in various musical projects, as a piano teacher and singing coach, and as a choir leader. I worked as symposium secretary for the Finnish Musicological Society’s anniversary symposium in 2011, and as secretary of the Finnish Musicological Society during 2011 – 2012. I additionally worked as a board member of the Finnish Ethnomusicological Society. I do volunteer work at Turku Girls’ House and write a blog about popular culture phenomena. Popular singing and dancing are among my most heartfelt hobbies. I’m currently working on a solo music project under the pseudonym ALANA, I do solo gigs and perform with the band Slow Floe. I also play a number of musical instruments, among the most cherished and also the newest to me being the Finnish kantele.
My earlier work history includes a position as substitute music teacher at Kuhmo comprehensive school, working in various musical projects, as a piano teacher and singing coach, and as a choir leader. I worked as symposium secretary for the Finnish Musicological Society’s anniversary symposium in 2011, and as secretary of the Finnish Musicological Society during 2011 – 2012. I additionally worked as a board member of the Finnish Ethnomusicological Society. I do volunteer work at Turku Girls’ House and write a blog about popular culture phenomena. Popular singing and dancing are among my most heartfelt hobbies. I’m currently working on a solo music project under the pseudonym ALANA, I do solo gigs and perform with the band Slow Floe. I also play a number of musical instruments, among the most cherished and also the newest to me being the Finnish kantele.
Teaching
I teach on many basic courses, including Basic concepts of art research, Viewpoints to sounds and images, and Changing art and culture.
I have taught courses on classical music history, popular music history, music and gender, audiovisual analysis and music videos (including a national online course), opera and musicals.
Research
All of my research belongs to the field of
cultural musicology, especially gender and queer studies. My interests
include global and Finnish popular music, classical music, opera and
musicals, film music and audiovisual popular music performances.
My current research project is concerned with
the theme of Finnishness in the popular culture of 2010s Finland. I am
interested in the idea of spatial listening, where the spatiality
aspects of musical track conjure up images, and how these images
represent traditional or ideal notions of Finnishness. Additional
interests include the study of how fatness is represented in Finnish
popular music. I'm working on a project that will highlight the activities of Finnish female musicians.
I'm working on articles discussing Tom of Finland The Musical, scifi film music, Regina Spektor's music video, Alma's music video Dye My Hair and depictions of femininity in it, Nicki Minaj's music video Anaconda, and audiovisual texts concerning Finnish Neo-Nazis. My doctoral dissertation Sound Kinks: Sadomasochistic Erotica in Audiovisual Music Performances combines cultural musicology and audiovisual analysis, and applies queer theory to sadomasochism while exploring the relationship between both of these concepts and music. The case studies included in the research address uses of popular music in music videos, opera, popular music and film music. I study sadomasochistic imagery, eroticism and performances in the mainstream media. I additionally comment on the position of gender roles in visual culture with reference to theory on camp performativity. I argue that sadomasochistic erotica is dependent on the juxtaposition of extremes, neosurrealist fantasy, and ambivalence between the visible and invisible. I have presented papers on this subject in Oslo, Vienna, London and New York, as well as Finnish seminars and symposia.
I'm working on articles discussing Tom of Finland The Musical, scifi film music, Regina Spektor's music video, Alma's music video Dye My Hair and depictions of femininity in it, Nicki Minaj's music video Anaconda, and audiovisual texts concerning Finnish Neo-Nazis. My doctoral dissertation Sound Kinks: Sadomasochistic Erotica in Audiovisual Music Performances combines cultural musicology and audiovisual analysis, and applies queer theory to sadomasochism while exploring the relationship between both of these concepts and music. The case studies included in the research address uses of popular music in music videos, opera, popular music and film music. I study sadomasochistic imagery, eroticism and performances in the mainstream media. I additionally comment on the position of gender roles in visual culture with reference to theory on camp performativity. I argue that sadomasochistic erotica is dependent on the juxtaposition of extremes, neosurrealist fantasy, and ambivalence between the visible and invisible. I have presented papers on this subject in Oslo, Vienna, London and New York, as well as Finnish seminars and symposia.
Publications
Lailasta Almaan: Suomalaisten naisten populaarimusiikin historia (2023)
(Yleistajuinen tai tieteellinen, ei-vertaisarvioitu monografia (E2))Sukupuoli, seksuaalisuus, musiikin esittäminen ja muusikkous: Populaarimusiikkitoiminnassa koettu sukupuolittunut epäasiallisuus (2021)
Musiikki
(Vertaisarvioitu alkuperäisartikkeli tai data-artikkeli tieteellisessä aikakauslehdessä (A1))
Regina Spektor’s ‘Small BillS’: the cute and the manic-zany as body-political strategies (2020)
(Vertaisarvioitu artikkeli kokoomateoksessa (A3))Alternative Femininities, Monstrous Voices and Queer Body Politics in Alma’s Dye My Hair (2020)
(Vertaisarvioitu artikkeli kokoomateoksessa (A3))Sensing Time and Space through the Soundtracks of Interstellar and Arrival (2020)
(Vertaisarvioitu artikkeli kokoomateoksessa (A3))Wall-E:sta Ginny Weasleyyn: populaarikulttuuri, lapsuus ja nuoruus 2000–luvulla (pääkirjoitus) (2020)
Nuorisotutkimus
(Vertaisarvioitu alkuperäisartikkeli tai data-artikkeli tieteellisessä aikakauslehdessä (A1))
Akateeminen kiusaaminen ja toksinen akateeminen kulttuuri (2019)
Tieteessä tapahtuu
(Kirjoitus tai data-artikkeli tieteellisessä aikakauslehdessä (B1))
Nicki Minaj in Anaconda: Intersectional Feminist Fat Studies, Sexuality and Empowerment. (2019)
(Vertaisarvioitu artikkeli kokoomateoksessa (A3))Bookreview: Lori Burns & Steven Lacasse (eds.): The Pop Palimpsest: Intertextuality in Recorded Popular Music. 2018. ISBN: 978-0-472-13067-2. (2019)
World of Music -London then Berlin-
(B1 Vertaisarvioimaton kirjoitus tieteellisessä lehdessä )
Nykysuomalaisia idylliäänimaisemia, symboleja ja kipupisteitä populaarimusiikissa: tapausesimerkkeinä Lauri Tähkä, Vesala ja Tiisu (2019)
Musiikki
(Vertaisarvioitu alkuperäisartikkeli tai data-artikkeli tieteellisessä aikakauslehdessä (A1))